John David Washington and Zendaya play glamorous couple at film’s centre (Dominic Miller/Netflix) The two stars ooze charisma and, even if the script meanders, the film will surely have interest as a historical document: so this is what it was like to live through Covid. The reason it’s empty is that the film was shot, by Euphoria creator Sam Levinson, during lockdown. Zendaya and John David Washington star as a glamorous couple working through their relationship issues in an empty apartment. It’s a by turns poignant and hilarious accent of Forte’s rise, his descent into drugs and infidelity – and his strained relationship with Lampoon co-founder Henry Beard (an unrecognisable Domhnall Gleeson).
Straight-to-video production values don’t do it any favours, but this biopic about the founder of American satirical magazine National Lampoon, Douglas Kenney (Will Forte), has its heart in the right place. It comes close to being a great action flick for grown-ups before ultimately fizzling out. And JC Chandor (Collateral) directs the action scenes with pizzaz. It’s hugely flawed – but Affleck is convincing as a guy losing his way amidst divorce and middle age.
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This team-up heist movie stars Ben Affleck, Oscar Isaac, Charlie Hunnum and future “internet daddy” Pedro Pascal as old marine corps buddies headed to South America for one final pay-day. Whimsical on the surface, I Don’t Feel at Home in this World Anymore is in fact a meditation on what happens when you’ve had enough of life’s fundamental unfairness and lash out. I Don’t Feel at Home in This World AnymoreĪ quirky though ultimately quite dark indie movie about two misfits, Ruth (Melanie Lynskey – recently seen in The Last of Us) and Tony (Elijah Wood), on the trail off a burglar who made off with a silver spoon belonging to Ruth’s grandmother. It’s a great sports film and also a commentary on the racial and social schisms that divide America.Ĥ6. This earlier movie is about a basketball agent (André Holland) in a game of skulduggery between players (mostly black and uneducated) and team owners (white and wealthy). Steven Soderbergh has become something of a Netflix regular, with his Meryl Streep-starring The Laundromat recently premiering on the service. ‘Private Life’: hilarious and poignant (Netflix) High jinks follow, though director Tamara Jenkins ensures the existential sadness that has become part of the protagonists daily life never quite fades.
And the pathos is piled on as twenty-something college drop-out Sadie (Kayli Carter) parachutes into their life. Kathryn Hahn and Paul Giamatti are hilarious and poignant. But when an outsider (Hilary Swank) makes her way to their bunker, their perfect life is shattered forever.Ī bohemian middle-aged couple struggle to have a child. In the far future, a maternal robot (voiced by Rose Byrne) raises a young woman (Clara Rugaard) as her daughter. This rickety-looking science fiction thriller delivers where it counts with a twisting, turning plot and several genuine surprises. Still, the film is a topic of conversation – and you wouldn’t want to feel left out, would you? Wheatley plays it straight and gothic Manderley estate isn’t nearly as creepy as it ought to be. Lily James and Armie Hammer – now a persona non-grata following reports about his private life – are the unlikely lovers from across the class divide, with Kristin Scott Thomas disapproving Mrs Danvers. The ultimate hate-watch or game attempt at reinventing a classic thriller? Opinions are divided on Ben Wheatley’s adaptation of the Daphne du Maurier novel already immortalised by Hitchcock.
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